LET ROCKY REST IN PEACE, SLY

By Jim Keogh

November 3, 2005

An open letter to Sylvester Stallone:

Sly, why?

Why after all these years are you pressing forward with “Rocky VI”?

It can’t be money. There have been no news reports of you being in shaky financial condition. When you were one of Hollywood’s top dogs, you earned your eight-figure paychecks by giving the people what they wanted until they no longer wanted it. You stayed at the party too long with “Rocky V” and “Rambo III,” but what the hell. You got yours and have lived a good life.

The recent announcement about yet another “Rocky” picture took no one by surprise, since you’ve been making noise for years that you wanted to pursue it. You’ve said Rocky now will be a widower — nice touch. Nothing against Talia Shire, but how many more cutaway shots of Adrian flinching while Rocky’s head was being crushed like an overripe cantaloupe could the poor woman endure? Shire must never want to be told by another director, “OK, Talia, in this scene, look worried!”

The part of your announcement that left me and many others scratching our heads is that Rocky will be climbing back into the ring.

Sly, c’mon. You’re still in great shape, but all the stomach crunches and Grecian Formula in the world can’t mask the fact that you’re 60 years old. Yeah, the Rolling Stones can get away with warbling “Satisfaction” at your age, but do you really expect us to believe that a guy who recalls the Eisenhower presidency can still make a viable boxer?

Granted, at this point we don’t know the details of the script. Maybe Rocky is only boxing for charity and things turn ugly — like the exhibition match in “Rocky III,” when he threw Hulk Hogan out of the ring.

But I suspect your plans are grander. Rocky will go up against a much younger fighter, take him down and use the post-fight press conference to pitch for Social Security reform. Because, if I’m remembering correctly, our boy lost it all by the fifth “Rocky” and ended up in his old Philadelphia neighborhood, broke and humiliated. He may need government assistance to supplement his meager income as the spit-bucket emptier at his old gym.

The constant pummelings left Rocky with brain damage and a bad eye. Watching him take punches to the face will be like New England Patriots fans watching stroke victim Tedy Bruschi going helmet to helmet from his linebacker’s position. We grimace with every head shot.

What will Rocky’s physical condition be in the sixth movie? Will we see in him a man who’s paid the price for having his brain sloshed around his skull by other men’s fists? Will the inevitable training montage to inspirational music cure the Parkinson’s-like tremors in his hands and heal his bad eye?

No one will forget that you made Rocky a classic American underdog hero. The 1976 movie was a rehash of B-picture plots and archetypes that transcended their origins and became a phenomenon. Maybe you simply struck at the perfect time, when the country was giddy celebrating its own humble beginnings and unlikely victories of 200 years ago. We responded at the box office; your peers awarded you the Oscar for Best Picture and nominated you for Best Actor. (And you might have won, too, if your major competition, Peter Finch from “Network,” hadn’t died. The drama kings and queens of the Academy couldn’t resist that storyline.)

You knew you had a good thing, and kept bringing Rocky back until he sat in our guts like a bad meal. The Italian Stallion became less engaging when he earned big money and lost his crotchety trainer Mick (Burgess Meredith). You transformed your own body, so that by “Rocky III” you were so lean and cut you didn’t even look like a heavyweight boxer anymore.

Here’s what I’d like to see. Rather than “Rocky VI,” why not an A&E or a PBS special recounting the Rocky years, with you and the principal actors sharing stories and secrets about working together. The upcoming 30-year anniversary of the first “Rocky” is a natural time to do it. Gather Shire and Burt Young (Paulie), Carl Weathers (Apollo Creed), Mr. T (Clubber Lang), even Dolph Lundgren (scary Russian guy) onto a stage in those neat directors’ chairs; get James Lipton to emcee, and see where it takes you.

I know the temptation is great to prolong the best thing in your career, even the second best (according to IMDB.com you’re in pre-production on “Rambo IV.”) Rocky has been good to you, no doubt. Without him, you might have spent the years as a bit player, one of those guys whose face looks familiar but the name escapes us.

Instead, you laced up the gloves in ’76 and the rest is movie history. Rocky Balboa has fought the good fight, and now he deserves to rest.

 

 
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